Editorial

Editorial 1/2022: Casino Chips

The opening move in the tower block game in Finland was made by architect Sigurd Frosterus one hundred years ago. Tower blocks are still emerging in plans and visions – but what kind of urbanity do they create?

Article

A City That Is Growing towards the Sky

In recent years, large construction projects have brought changes to the cityscape of Tampere. On whose terms is new construction conducted?

Article

Interpreting and Completing the Suburban Atmosphere

In a suburban residential area, what are the elements that determine how the place feels? Can the atmosphere of a place be created through design? Two architectural researchers explore the relationship between architect and place.

Article

How Is Experience Connected to Urban Design?

The importance of social and cultural sustainability is often talked aboutout, but these values are not visible in the data that is provided for urban designers as a basis for their work. Harris-Kjisik Architects decided to collect this data themselves, when the development of the Itäkeskus district began.

Article

Visual Essay: Nothing Decorative and Nothing Functional

Graphic designer Emery Norton studied the urban details found on a walk. 

Article

The New Perimeter Block Requires a New Kind of Thinking

In recent decades, urban development projects have increasingly been based on a perimeter block structure. One hundred years ago, modernists condemned this typology as dark and cramped. So what is different this time?

Article

Erik Bryggman and the Turku Cityscape

Erik Bryggman is particularly well known for his individual buildings. His work, however, demonstrates also a clear approach to urban planning.

Article

On the Drawing Board: Three Examples of the Circular Economy

The circular economy can be promoted through land use planning, and not just individual construction projects, states architect Aura Pajamo from the Muuan design agency.

Interview

Gable Fronts and Brick Pillars – Anne Hangebruch & Mark Ammann Interviewed

Anne Hangebruch and Mark Ammann’s designs are informed by the historic typologies and forms that surround them. How do you go about drawing inspiration from history?